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Batman and The Joker |
Tim Burton practices film noir to create a
unique mood throughout his version of Batman. A major element of
film noir is the use of stark dark angular shadows mixed with an off-balance
feel of the world. Burton’s set embodied this darkness with shadows in almost
every frame and a 2-D comic book feel that created an off-balance feel for
Gotham City. Urban modernity is another key element of film noir, which
is seen through Gotham city’s filth, industrialization, and heavy population.
This urban element aided the dark and detached feel of the city that rubbed off
on many of the characters. The urban modernity helped explain why the characters
thought and behaved in the dark ways that they did. Burton himself despised
suburbs and cities that looked all the same, like Gotham City. He believed that
they cut people off from expressing themselves and promoted categorization.
Gotham City's dark limitations clearly rubbed off on its citizens as many have
become corrupt and backhanded figures.
Another
revolutionary element of film noir that is especially prominent in Burton’s
film was the depiction of femme fatales characters. The femme fatales characters
use their powers of seductive in attempts to attain greater supremacy in
society. Vicki Vale embodies this seductive siren role as she is first seen as
a pair of long legs in heels. Knox is immediately drawn in as she continues
seducing him in order to attain assistance in her quest for the Batman. She
then continues to do a similar act with Wayne until she actually begins to fall
in love with him. This shift in her motives is a common element in film noir in
which the femme fatales becomes domesticated in society.
Other
elements of this new seductive woman are portrayed in Jack’s mistress. This
plays off of the original reason for the femme fatales characters which was the
fear of men during World War II that their wives would cheat on them while they
were away at war. Other small details Burton adds to the film that farther
promote this include the portraits of harlot women that hang in the gangsters’
rooms and the tight low-cut dresses that many of the women wore. This picture
of a woman was something forbidden and scandalous, which adds to Burton’s dark
mood and corruption that shocked many viewers.
While
many of these film noir techniques enhance the mood of the film, I think that
it makes Burton stray from his traditional opinions and his film characteristics.
Burton himself said that he felt the most emotionally detached from this film
because of the creative restrictions that came with the scripts preproduction
and constant changing. While I think that Batman and the Joker prove that
people are complex individuals, the overall Manichean worldview of the
characters and narrow categorization of women that film noir presents goes
against Burton’s usual beliefs. Normally straying from stereotypical
archetypes, Burton does fall more in line with it through his depiction of femme
fatales women and quick idiotic romances. However, while many of the women are
objectified, Burton is also presenting a type of woman that strays from society’s
‘norm.’
My first Tim Burton experience was when I was very little and I joined my parents in watching Batman Returns, which turned out to be a terrible idea because I had nightmares for weeks after that. Something about the movie gave me the heebie jeebies. It was just so dark and full of shadows and angles and penguin men with big noses.
ReplyDeleteApparently, that’s called Film Noir. Burton uses it a lot to comment on life and society and to show his unique view. Usually seen in old crime movies, and characterized by shadows, fog, and a sprinkle of sexual tension, film noir is used to capture the danger and darkness of life.
This is relevant to Burton because he grew up in the suburbs, a paradise for his parents and hell for a child like him. Though he lived in a blissful neighborhood, he saw only repression and sameness, which is reflected in his film style.
Gotham, an urban metropolis, is portrayed by Burton as a place of shadows. And for that, film noir is the perfect genre.
~ Lydia Kolda